Stylist of mode(fashion) for Japan, then painter decorator in Paris, I move towards about forty and meet myself in the mountain surrounded with goats(tackles), sheeps and horses. I did not need it more to become animal a portrait painter. Observe, feel and paint... Horses especially, their glance particularly. The hyperrealism because I do not know how to make otherwise. As all the painters, I do not like(love) too much that people touch my